Episode Recap: Season 3 Live Shows, Night 1

The Voice has reached its final phase of competition: the live shows, or as they’ve suddenly been re-christened, “live playoffs.” For the next six weeks, the voting public of America get to help decide the fate of the Top 20, until there’s only one left standing.

Teams Adam and Blake are performing on Monday night, and as host Carson Daly explains, only three of the five from each team will be moving forward – two by America’s vote and one by their coach’s save. The other two will be eliminated from contention when the results are revealed on Thursday.

The coaches are prepared for the competition. “Adam’s once again built a really strong team,” Blake says in voiceover, “but don’t count out Team Blake.” Meanwhile, Adam’s sense of humor rears its head as he calls the live shows a “more serious Olympics.” And Carson has a problem looking at Cee Lo with a straight face since Cee Lo showed up in another ridiculous outfit.

The show opens with both teams joining forces to perform Boston’s  “Peace of Mind.” The highlight of this number is getting to hear Team Adam’s Bryan Keith in harmony with Team Blake’s Terry McDermott, but the entire thing brings back fond memories of The Voice Live on Tour.

Following that, Team Adam’s Joselyn Rivera is the first performer to step onstage, singing Demi Lovato’s “Give Your Heart A Break.” In rehearsal, Adam warns her that she must connect with her audience, no matter what else is going on around her. That’s a tip that Joselyn seems to have taken to heart, with a very simple performance setup and several moments where she does her best to engage the crowd. Plus, she’s got pink highlights that match her wardrobe. That’s kinda neat.

Blake tells Joselyn that “you’re one of the people we can always count on to be great” and he’s still bitter that she’s not on his team. Her former coach Christina praises her for “working the stage” and says she’d like to hear a ballad from her next. Joselyn cracks up a bit when they get to Cee Lo, with Adam telling her “Try to take him seriously; it’s extremely difficult right now.” That brings it back around to her coach, Adam, who praises her for listening to what he told her but also staying true to herself. “You really thrived in this environment,” he says.

After a trip to the new “Sprint Skybox,” which is about as useful as the “Sprint Lounge,” Terry leads off for Team Blake, armed with another classic rock song that everyone knows: Journey’s “Don’t Stop Believin’.” Unsurprisingly, he sings it a whole lot better than the many, many people who’ve attempted it at karaoke night (myself included). He hits all of his notes while maintaining the spirit of the song.

Christina tells him that “the precise clearness in your tone and the execution, it’s effortless,” and says she’s a fan. Cee Lo cracks himself up before he compliments Terry’s confidence. No one asks Adam what he thinks, as Carson goes right to Blake, who agrees with Christina and Cee Lo, adding that “when God was passing out the ability to rock, he gave Terry just a little bit more.” This is a pretty awesome compliment, and one that is well deserved.

From Terry it’s on to Team Adam’s Melanie Martinez, the fan favorite who’s singing the Ray Charles classic “Hit The Road, Jack,” which Adam quips is “way older than she is…people are going to freak out.” Such a different song choice, though, is typical Melanie, who puts the same unique spin on it that she did on Britney Spears’ “Toxic” and La Roux’s “Bulletproof.” It’s reminiscent, at least in vibe, of Juliet Simms tackling James Brown’s “It’s A Man’s Man’s Man’s World” in Season 2, except that the latter had more punch behind it, whereas this is more jazzy.

Blake comments that he admires how “you always find a way to make something your own, no matter what…you’re just not that interested in fitting in. You just want to be Melanie.” Christina seems slightly unimpressed, saying that “it started out a little pitchy” but that “I appreciate your vision as an artist.” Skipping Cee Lo, Carson goes directly to Adam, who informs Christina that the song choice was Melanie’s, and adds that “I didn’t find myself comparing it to [the original]…I was totally mesmerized by that whole performance.”

Team Blake’s Liz Davis is next to sing, with Martina McBride’s “Independence Day.” Blake is pinning his hopes on her as she’s the only country artist remaining in the competition. Liz is a little too attached to her microphone stand through the first part of the song, but eventually loosens up. Unfortunately, her chorus doesn’t seem quite as powerful as one would expect (or maybe the volume of the band is a little too loud, as was a problem last season). It’s a good performance, but it’s not standout.

Christina calls Liz and Blake “such a perfect match” and approves the song choice. Cee Lo tells Liz that she made him proud to be an American, perhaps not aware of what the song is about. Moving past Adam, Carson goes to Blake, who reiterates that Liz is the “right country artist to bring into the live rounds.”

After Liz is her teammate Cassadee Pope, singing Avril Lavigne’s “My Happy Ending,” which is a safe choice for the former rock band lead singer, and the only thing that’s not expected in her performance is that she knocks the mic stand over when she pulls the microphone loose. That’s not to say her rendition is poor, but it leaves one curious about what it would have been if she’d gone ahead with her initial ideas about doing something different.

Christina calls the version “solid.” Cee Lo thinks Cassadee gave the tune “a lot more vulnerability.” Adam tells her “I still want to know who you are…I still feel like I’m kind of waiting a little bit to see who is the real Cassadee Pope.” Blake retorts that Adam will have plenty of time to figure that out, as he expects her to be around for awhile.

Next to bat is Team Adam’s Bryan Keith. He’s performing The Goo Goo Dolls’ “Iris,” and his coach wants “a serious delivery of everything you got.” The song is a wonderful match for Bryan, who does it justice as he sounds a little bit like John Rzeznik, with the same grit and emotion.

Blake has a hard time giving feedback over the sound of screaming girls, but eventually compares Bryan’s lower register to that of Neil Diamond. Christina declares that Bryan “really owned it” and “that was the most passion I’ve ever seen you perform with.” Adam confides that he “had to do very little” coaching of Bryan on this particular song, and he’s proud of his team member: “This crowd loved you so much [and] I love you.”

The show moves on to Team Blake’s Michaela Paige with Neon Trees’ “Everybody Talks,” which her coach calls “back to just being who you are.” He assures her that her age doesn’t matter. As Michaela leaves the rehearsal room, Blake quips, “Don’t hit your hair on the door.” Ladies and gentlemen, Blake Shelton, the dispenser of both wisdom and wit.

Michaela definitely has stage presence, and a very interesting outfit to go with it. I’m not familiar enough with the song to comment on the quality of her rendition, but the crowd loves it. So, too, does Cee Lo, who calls it “the best performance of tonight” and “a flawless vocal performance.” Adam says that Michaela “really surprised me today” and likes the song choice: “hopefully it wasn’t [Blake’s] because I hate giving him compliments.” That puts a grin on Blake’s face as he comments that Michaela is making him look smart and that her hair just might rival Cee Lo’s.

Her colleague Julio Cesar Castillo follows after her, getting to go “back to his roots” with the mariachi song “El Rey.” Blake says he needs Julio to “dramatize this song” since most folks who watch The Voice won’t be familiar with it. Given that Julio gets the audience chanting his name, Blake had nothing to worry about. Christina tells him that “you made all the Latino people out there so proud.” Blake admits that “I don’t know what you’re saying,” but points toward the crowd’s reaction as proof that his team member made the right choice.

Team Adam’s Loren Allred is next, bringing Lisa Stansfield’s pop hit “All Around The World,” which she hopes will be a “breakout” choice for her. She’s certainly got the sassy part down, and like Bryan, the song works for her because she’s not that far removed from the sound of the original artist. Loren has clearly found her wheelhouse if she hadn’t before. The track doesn’t have a huge standout moment in it, though, so whether or not it will be enough for her to move forward is much less clear than her vocals.

Cee Lo tells Loren this is one of his favorite songs and that he’s “not really surprised” at how well she did with it. Carson then passes Christina and Blake, going right to Adam, who is happy with her performance and wants to hear more of that should she continue on.

It’s Team Adam’s Amanda Brown who gets to close out the night, and she does it with Aerosmith’s “Dream On.” As Adam points out during rehearsal, this is not a song you would expect her to perform – but perform it she does, with plenty of attitude and some wicked notes that are jaw-dropping. It’s dumbfounding to think that if there wasn’t a steal this season, she would’ve gone home and America would’ve never heard that performance, which cements Amanda’s status as a frontrunner this season.

Carson rushes the coaches through final comments, with Christina saying that Amanda did a great job and Adam once again remarking on how he stole Amanda from Cee Lo before telling everyone that “this, by far, was the actual best performance of the night.” The crowd clearly agrees with him, as they half drown him out while he’s talking. While they’re still cheering on Amanda, the first live show of Season 3 comes to a close.

There’s no show Tuesday due to Election Day, so be sure to tune in Wednesday and Thursday, starting at 8 PM ET/PT, to see the rest of the live shows for this week. Most importantly, don’t forget to vote for your favorite artist!

For more from Brittany Frederick on The Voice, visit Big Red Chairs and follow me on Twitter (@bigredchairs).  

(c)2012 Brittany Frederick/Big Red Chairs. Appears at Starpulse, Examiner & Fanbolt with permission. All rights reserved. No reproduction permitted.

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4 thoughts on “Episode Recap: Season 3 Live Shows, Night 1

  1. I don’t think I ever liked this recaps as much as I do now after the Sprint skybox comment lol
    Seriously, I don’t really blame Christina (or Allison before her) for how useless their segment are, but the only good/interesting thing that’s happened there in 3 season has been Chris and Erin W photobombing an interview. The producers should really get the hint and get rid of the whole thing

    • It’s never really worked. I love the integration of social media with the show but I don’t think necessarily that it needs to be on-air. And the Skybox is, IMO, worse than the Lounge because at least the Lounge was backstage. The Skybox just takes up space on the stage. (Of course I’m of the ‘if it ain’t broke, don’t fix it’ group who doesn’t understand why the show keeps retooling the stage, graphics, etc every season, so take that as you will.)

    • They must think the Lounge is broke, which is why they’re trying something else, now. But – while the Skybox is a great seat for Christina to watch the show, it’s awful for interviewing the artists. They can’t loosen their tie and kick back with a pina colada the way they could if it was backstage. I thought the best moment was way back in season 1, when Jeff Jenkins said he wanted to date the illegal Thompson sister, and then they cut back to Carson who said, “Okay, (I can’t believe he just said that) let’s get back to some more music, now…!” They need some only-on-live-TV guffaws to make the Christina segments work.

      • I still LOVE that line…and I miss Jeff.

        But I agree. The on-air social media stuff has always felt forced to me, and I think moreso now. In season 1 it got a bit of a pass from me because it was less obtrusive and Alison Haislip was calmer about it (remember, she was doing tech stuff on G4 way before The Voice). In seasons 2-3 it seems so much more prominent and Christina Milian, though I have met her and find her to be very sweet, is a little too energetic (at least on-camera; she’s not like that on the red carpet). Plus, they give her the strangest things to ask. Trying to get spoilers out of Amanda Brown? How about we just move on with the show and then you’ll find out what she’s singing? IDK. I don’t know what they’re going for.

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